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These are some of my favorite things that I heard for the first time, or heard in a new way, last year. No, I don't listen to much new music, but I can offer you Beats, Tones, Blues, and Drones. Enjoy!
https://open.spotify.com/playlist/2tzh kJOjG0IQnWmeocjpb5?si=1bdabb52ec264992

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These are some of my favorite things that I heard for the first time, or heard in a new way, last year. No, I don't listen to much new music, but I can offer you Beats, Tones, Blues, and Drones. Enjoy!
https://open.spotify.com/playlist/2tzh kJOjG0IQnWmeocjpb5?si=1bdabb52ec264992

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good shit https://www. youtube.com/watch?v=9AWTGExPig I

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good shit https://www. youtube.com/watch?v=9AWTGExPig I

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I'll be at JMM in Boston this week! (For the first time in my life, somehow.) Would love to meet up if you're cool!

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I'll be at JMM in Boston this week! (For the first time in my life, somehow.) Would love to meet up if you're cool!

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Computer Music Journal sent out, I think, flexible vinyl "soundsheets" that had recordings for this type of article. Does anyone know if they got digitized or are available anywhere?

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Computer Music Journal sent out, I think, flexible vinyl "soundsheets" that had recordings for this type of article. Does anyone know if they got digitized or are available anywhere?

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I finished reading this today. The end in particular is so cool -- she introduces equal-tempered "alpha, beta, and gamma scales" that abandon the octave for the sake of good fifths, thirds, and septimal and undecimal intervals.

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I finished reading this today. The end in particular is so cool -- she introduces equal-tempered "alpha, beta, and gamma scales" that abandon the octave for the sake of good fifths, thirds, and septimal and undecimal intervals.

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Sweet

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Sweet

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[Frequency ratios between partials of a timpani, from an article by Wendy Carlos:]

'n1 =~ 1.000
n2 =~ 1.504
n3 =~ 1.742
n4 =~ 2.000
n5 =~ 2.245
n6 =~ 2.494
n7 =~ 2.800
which, it will be noted, form a serics of partials closer together than any of the previous timbres. (Note how n1, n2, n4, and n6 look when cach term is multiplied by two, implying that the timpani has a “missing” theoretical fundamental. This inspired me to try synthesizing a “basstimp” in which this implicd partial was added, with a very agreeable result!)'

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Of course Wendy Carlos used Dvorak https://resenv.media.mit.edu/classarch ive/MAS960/NewReadings/carlos_tuning.pdf

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Of course Wendy Carlos used Dvorak https://resenv.media.mit.edu/classarch ive/MAS960/NewReadings/carlos_tuning.pdf

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@nmichalo Thanks. Yes, maybe I can get my department to reimburse it.

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@nmichalo Thanks. Yes, maybe I can get my department to reimburse it.

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If my employer is an AMS member, do I also count as an AMS member, or do I have to buy my own individual membership?

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If my employer is an AMS member, do I also count as an AMS member, or do I have to buy my own individual membership?

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@JordiGH Also sorry if this is out of your depth haha -- I think I don't know you so I don't know what you know.

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@JordiGH Also sorry if this is out of your depth haha -- I think I don't know you so I don't know what you know.

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@JordiGH What's cool about this is that a lot of natural structures/properties of infinity-categories can be encoded (at least for presentable ones) as modules over something in Pr^L. For example, a stable presentable infinity-category is a module over Spectra, and the stabilization of \(\mathcal{C}\) is \(\mathsf{Spectra} \otimes \mathcal{C}\).

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@JordiGH What's cool about this is that a lot of natural structures/properties of infinity-categories can be encoded (at least for presentable ones) as modules over something in Pr^L. For example, a stable presentable infinity-category is a module over Spectra, and the stabilization of \(\mathcal{C}\) is \(\mathsf{Spectra} \otimes \mathcal{C}\).

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@JordiGH It's the infinity-category of presentable infinity-categories and colimit-preserving functors. The tensor product is kind of analogous to the tensor product of vector spaces: a colimit-preserving functor \(\mathcal{C} \otimes \mathcal{D} \to \mathcal{E}\) is a functor \(\mathcal{C} \times \mathcal{D} \to \mathcal{E}\) that preserves colimits separately in each variable.

# orderedItems[].object.contentMap.en
@JordiGH It's the infinity-category of presentable infinity-categories and colimit-preserving functors. The tensor product is kind of analogous to the tensor product of vector spaces: a colimit-preserving functor \(\mathcal{C} \otimes \mathcal{D} \to \mathcal{E}\) is a functor \(\mathcal{C} \times \mathcal{D} \to \mathcal{E}\) that preserves colimits separately in each variable.

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The monoidal structure on Pr^L is so cool. It always feels like magic.

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The monoidal structure on Pr^L is so cool. It always feels like magic.

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RT @adam_piron
tired: Ebert’s cinema as an “empathy machine”

wired: Yugoslavian writer Monny de Boully’s cinema as “a chariot of desire: an air-carriage powered by sexually starved eagles”

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RT @adam_piron
tired: Ebert’s cinema as an “empathy machine”

wired: Yugoslavian writer Monny de Boully’s cinema as “a chariot of desire: an air-carriage powered by sexually starved eagles”

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RT @ArtistBeksinski
Untitled, 1968 #zdislavbeksinski #surrealism https://www. wikiart.org/en/zdislav-beksins ki/untitled-1968

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RT @ArtistBeksinski
Untitled, 1968 #zdislavbeksinski #surrealism https://www. wikiart.org/en/zdislav-beksins ki/untitled-1968

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RT @Deshalecoweney
Shelter in place

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RT @Deshalecoweney
Shelter in place

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RT @mon_coss
RIP Angelo Badalamenti. Will always be amazed that the MIDI piano roll for "Laura Palmer's Theme" is actually twin peaks.

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RT @mon_coss
RIP Angelo Badalamenti. Will always be amazed that the MIDI piano roll for "Laura Palmer's Theme" is actually twin peaks.

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RT @RiversCuomo
- .
I'm down. Let's make a funky bop about femboys and their unique style. Femboy fashion, count down to my new bop, I won't rest till I drop and the crowd goes YEET. #FemboyFever

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RT @RiversCuomo
- .
I'm down. Let's make a funky bop about femboys and their unique style. Femboy fashion, count down to my new bop, I won't rest till I drop and the crowd goes YEET. #FemboyFever