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#fiddle

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There are quite a few videos of these tunes put together as promo here, further down the page:

nonesuch.com/artists/rhiannon-

The recordings on the album are clearly *very* live, with cicadas in the background and everything. Which really works here.

Very nice collection all around, must listen for all #Fiddle and #Banjo / #Americana listeners!

Nonesuch Records Official WebsiteNonesuch Records Rhiannon GiddensRhiannon Giddens reunites with her former Carolina Chocolate Drops bandmate Justin Robinson on What Did the Blackbird Say to the Crow, an album of North Carolina fiddle and banjo music, out April 18 on Nonesuch Records. Produced by Giddens and Joseph "joebass" DeJarnette, the album features Giddens on banjo and Robinson on fiddle, with the duo playing eighteen of their favorite North Carolina tunes: a mix of instrumentals and tunes with words. Many were learned from their late mentor, the legendary North Carolina Piedmont musician Joe Thompson; one is from another musical hero, the late Etta Baker, from whom they also learned by listening to recordings of her playing. Giddens and Robinson recorded outdoors at Thompson’s and Baker’s North Carolina homes, as well as the former plantation Mill Prong House. They were accompanied by the sounds of nature, including two different broods of cicadas, which had not emerged simultaneously since 1803, creating a true once-in-a-lifetime soundscape. A video of “Hook and Line,” a traditional tune from Joe Thompson’s repertoire and filmed at his home in Mebane, NC, may be seen below. It is the first tune Thompson ever learned; Giddens and Robinson continued the legacy by learning it from him.  “With the assaults on reality going on in the world today, we wanted to offer another kind of record, like walking back onto a gravel or dirt road while a stampede goes the other way,” Giddens says. “With the cicada choir, this record could’ve only happened at a certain time in the last 120 years. We doubled down on place, time, realness, and old-fashioned front porch music. It’s a reminder that another way exists, with music made for your community’s enjoyment and for dancing–not solely for commercial purposes.  “What is the role of music in our society?” she wonders. “How do we de-couple it from unfettered capitalism, where music is a product and musicians are incidental? How do we use the tools and system that we have been bequeathed in a way that reminds us of other ways of being?” Robinson adds, "Recording this album felt like being back in the saddle. Just this time Joe is not here, and his fiddle is under my chin. The album is about home, the cicadas, the storms, the music, and the people who make it feel like home." Thompson was one of the last musicians of his era and his community to carry on the southern Black string band tradition. He played a crucial role in the lives of Giddens and Robinson, who, along with their Carolina Chocolate Drops bandmate Dom Flemons, spent their formative years learning from Thompson in traditional apprentice/mentor relationships. His influence has guided all of their artistic journeys as well as their mission to keep the legacy of the Black string band tradition alive.  Made in 2024, What Did the Blackbird Say to the Crow was recorded in outdoor settings with just Giddens and Robinson, a couple of folding chairs, and some microphones–one of which was placed to pick up the sounds of nature around them, “using technology in the way that we choose,” as Giddens says.  While at Thompson’s house, his nephew brought out one of his uncle’s restored fiddles–which Robinson played on the recording. In a recording process full of similar bits of kismet, they experienced another magical moment at Baker’s Morganton, NC home, when Baker’s son offhandedly mentioned that his mother had recorded “Carolina Breakdown” in her yard, and that a Carolina wren ended up on the recording. Robinson and Giddens were delighted to hear him tell this story, as that very recording had been their inspiration to make What Did the Blackbird Say to the Crow the way they did. The duo recorded Baker’s version of “Marching Jaybird” in that same yard, with Baker’s son listening.  In further tribute to Giddens’ North Carolina roots, What Did the Blackbird Say to the Crow will arrive just a week before Biscuits & Banjos, the inaugural edition of her first festival. Taking place April 25–27 in downtown Durham and curated by Giddens, Biscuits & Banjos highlights the deep roots and enduring legacy of Black music, art, and culture while fostering community and storytelling. The sold-out festival will feature a much-anticipated Carolina Chocolate Drops reunion, their first performance together in more than a decade. Additional performers include Taj Mahal, Leyla McCalla, Adia Victoria, Don Vappie & Jazz Creole, Infinity Song, Toshi Reagon, and many others, alongside speakers such as Alice Randall, Caroline Randall Williams, and Dr. Dena Ross Jennings. Workshops, square dances, free banjo lessons, and a celebrity chef biscuit bake-off will also be featured. Rhiannon Giddens has made a singular, iconic career out of stretching her brand of folk music, with its miles-deep historical roots and contemporary sensibilities, into just about every field imaginable. A two-time GRAMMY Award–winning singer and instrumentalist, 2023 Pulitzer Prize winner, MacArthur “Genius” grant recipient, and composer of opera, ballet, and film, Giddens has centered her work around the mission of lifting up people whose contributions to American musical history have previously been overlooked or erased, and advocating for a more accurate understanding of the country’s musical origins through art. Her most recent release is 2023’s You’re the One, Giddens’ first album of all original songs; her banjo can be heard on the history-making song “Texas Hold ‘Em”; and she is the Artistic Director of Silkroad Ensemble. In addition to her musical pursuits, Giddens has published two children’s books featuring her lyrics, hosts the Aria Code podcast on WQXR, and has composed music for ballet and film, and two of her songs are featured in the hit video game Red Dead Redemption 2.  Justin Robinson is a GRAMMY Award–winning musician and vocalist, cultural preservationist, and historic foodways expert. Robinson has used his wide range of interests and talents to preserve North Carolina’s African American history and culture, connecting people to the past and to the world around them. Robinson grew up exploring the woods and rivers around him in Gastonia, NC. Influenced by the musical tastes of his grandparents, he grew to love a diversity of musical styles. He learned to play the violin as a child; however, he did not enjoy playing classical music and stopped around the age of thirteen. It wasn’t until he was inspired by the old-time blues jams he attended as a student at UNC-Chapel Hill that he decided to approach the violin again—this time, as a fiddler. He played with the Carolina Chocolate Drops, working to preserve traditional forms of music, to introduce new generations to musical legends like Joe Thompson, and to remind audiences that the fiddle was, historically, an African American instrument. He wrote the song “Kissin’ and Cussin’” for the group’s GRAMMY Award–winning album, Genuine Negro Jig, and continued to write music after leaving the group in 2011, releasing the album Bones for Tinder as Justin Robinson and the Mary Annettes in 2012. In addition to preserving African American musical traditions, Robinson is known for his work as a culinary historian. He is an eighth generation Afro-Carolinian and is the descendant of sharecroppers and large landowners. He is constantly exploring the complex relationship that people have with our plant relatives, including through his social media account, @CountryGentlemanCooks, and through the formation of the Earthseed Land Cooperative, a collective in northern Durham “made up of farmers, entrepreneurs, professionals, and teachers who are currently engaged in creating alternative models for sustainability, equity, and cooperation within communities of color.” Robinson has a Master of Science degree in Forestry from North Carolina State University and carries on the ethnobotany work of his grandfather, J.G. Johnson.

"Tim McGraw" is the debut #single by the American singer-songwriter #TaylorSwift, released on June 19, 2006, by #BigMachineRecords. Swift wrote the song with #LizRose, and #NathanChapman produced it for her debut studio album, Taylor Swift (2006). "#TimMcGraw" is an #acousticGuitar–led #country #ballad that incorporates the '50s progression and features #fiddle, #mandolin, and #Dobro.
youtube.com/watch?v=GkD20ajVxnY

A bit of the "old stuff" from our playlist, which we played at the Welcome Spring Fair in Hranice, Czech Republic. This jig was collected by James Goodman in the 1860s.🎶// Ukázka ze „starých kousků“, které jsme zahráli na Vítání jara v Hranicích. Tento jig zapsal sběratel James Goodman v 60. letech 19. století.🎶 #liveirishmusic #irishmusic #irishjig #live #hranice #czechrepublic #fiddle #irishfiddle #buttonbox #dropdguitar #oldtune #jig #barfastthedoor

My name is Karl and this is my #introduction. I've just joined courtesy of installing #Vivaldi browser and finding a pointer to here. With everything that's going on in the world I am less inclined to be connected to Facebook, Instagram and the like, or to share my data so widely. I've reduced my exposure... Deleting other social media apps - although not *everything* yet - Starting here; Setting up a #blog at gentlemenjoyfully.com (that name was the random name given to my Gravatar homepage). I just liked it and thought perhaps it could inspire a way of looking at things, so I adopted it for my blog page.

I work in technical sales for #RedHat an IT #Software company, and in my spare time I like to play and sing. I play #fiddle, #guitar(s) and accordion.. though mostly fiddle. I also love #dogs, and #walking in the #countryside, and #ClassicCars and #Motorcycles. To stay #healthy I like #running, #walking and doing #yoga mostly.

gentlemenjoyfullygentlemenjoyfully

Musical Interlude: One of the artists I saw this past weekend at the Old Time Music Festival was Jamie Fox (one x), an Indigenous fiddler from Montana, who taught us all a bit about the Old Time Music tradition in Indigenous communities...I mean, they absorbed a lot from us musically as well. She identifies as Métis, meaning a mixture of European and Indigenous cultures and ancestry, although here in the US she's identified as a certain tribe by the government.

Anyway, here's a nice video where she introduces herself and performs a few pieces. Listen and learn.

"White Buffalo," "Cut Knife Hill," and "Empty Canoe," performed by Jamie Fox.

youtube.com/watch?v=MeAWiEbPEV

there are now two dozen violins in my #PirateLuthier logbook. Eight of them are in house and ready to play so if anybody in #Oxford needs to borrow a #fiddle (good enough for #folk or amateur #orchestra) do get in touch. (bows and cases are limited, so will be easier to help out ppl who still have those eg because their #violin broke)

proseandpassion.blogspot.com/2

proseandpassion.blogspot.comcounting cratersPirate luthier adventures continued: Violin number 24 has arrived! After 14 years of writing 24 features per calendar year for Current ...